片名：冰刀

别名：冰刀免费在线播放

电影类别:恐怖片

发行年份：1972

首映地区：其它

导演：翁贝托·伦齐

演员：卡罗尔·贝克,艾伦·斯科特

更新时间：2024-01-10 03:03

《冰刀》该片自上映后，口碑爆棚，能否成为年度最佳恐怖片？

《冰刀》该片自上映后，口碑爆棚，能成为年度最佳恐怖片。《冰刀》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《冰刀》整部著作自身足够好，不论是艺人卡罗尔·贝克,艾伦·斯科特的呈现、翁贝托·伦齐拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：9.0分其实也很正常。《冰刀》的艺人卡罗尔·贝克,艾伦·斯科特尽管说不是非常有名，但是卡罗尔·贝克,艾伦·斯科特的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演卡罗尔·贝克,艾伦·斯科特的表演真是能够称之为高手，因此大家喜欢这部恐怖片。

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　　This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.