片名：玛丽玛丽血玛丽[电影解说]

别名：玛丽玛丽血玛丽[电影解说]免费在线播放

电影类别:电影解说

发行年份：1975

首映地区：其它

导演：Juan López Moctezuma

演员：Cristina Ferrare,David Young,John Carradine

更新时间：2023-11-23 12:35

《玛丽玛丽血玛丽[电影解说]》该片自上映后，口碑爆棚，能否成为年度最佳电影解说？

《玛丽玛丽血玛丽[电影解说]》该片自上映后，口碑爆棚，能成为年度最佳电影解说。《玛丽玛丽血玛丽[电影解说]》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《玛丽玛丽血玛丽[电影解说]》整部著作自身足够好，不论是艺人Cristina Ferrare,David Young,John Carradine的呈现、Juan López Moctezuma拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：7.0分其实也很正常。《玛丽玛丽血玛丽[电影解说]》的艺人Cristina Ferrare,David Young,John Carradine尽管说不是非常有名，但是Cristina Ferrare,David Young,John Carradine的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演Cristina Ferrare,David Young,John Carradine的表演真是能够称之为高手，因此大家喜欢这部电影解说。

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　　墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。
　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest.
　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time.
　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one.
　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.