片名：荣耀六十年

别名：荣耀六十年免费在线播放

电影类别:剧情片

发行年份：1938

首映地区：英国

导演：Herbert Wilcox

演员：Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

更新时间：2024-01-10 03:23

《荣耀六十年》该片自上映后，口碑爆棚，能否成为年度最佳剧情片？

《荣耀六十年》该片自上映后，口碑爆棚，能成为年度最佳剧情片。《荣耀六十年》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《荣耀六十年》整部著作自身足够好，不论是艺人Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla的呈现、Herbert Wilcox拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：9.0分其实也很正常。《荣耀六十年》的艺人Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla尽管说不是非常有名，但是Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla的表演真是能够称之为高手，因此大家喜欢这部剧情片。

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　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
　　Roger Philip Mellor