片名：造物的奇迹

别名：造物的奇迹免费在线播放

电影类别:科幻片

发行年份：1925

首映地区：其它

导演：Hanns Walter Kornblum

演员：Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl

更新时间：2024-01-10 03:29

《造物的奇迹》该片自上映后，口碑爆棚，能否成为年度最佳科幻片？

《造物的奇迹》该片自上映后，口碑爆棚，能成为年度最佳科幻片。《造物的奇迹》往往可以变成在今年的电影中用户评价有名的电影，直接原因是《造物的奇迹》整部著作自身足够好，不论是艺人Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl的呈现、Hanns Walter Kornblum拍摄技巧，或是电影情节和现实感，全是非常出众的，取得好口碑：4.0分其实也很正常。《造物的奇迹》的艺人Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl尽管说不是非常有名，但是Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl的表演很好，可以把观众们带到到小故事中来，让粉丝有一种窒息的感觉，相比这些帅哥的表演Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl的表演真是能够称之为高手，因此大家喜欢这部科幻片。

如果您喜欢【星空影视】(www.yn227.com)分享的《造物的奇迹》,别忘了推荐给你的好友!

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.