片名:第七日,第八夜
别名:第七日,第八夜免费在线播放
电影类别:剧情片
发行年份:1969
首映地区:其它
导演:埃瓦尔德·朔尔姆
演员:扬·利比切克,瓦茨拉夫·巴布卡,约瑟夫·贝克,Karel Belohradský,Bozena Böhmová,尼娜·蒂维斯科娃,Josef Elsner,Josef R. Engel,科维塔·菲亚洛娃,Ladislav Gzela,Karel Hovorka,弗拉迪米尔·赫拉巴内克,伊日·哈莱克,Vladimir Jedenáctik,Pavel Jiras,Jan Kacer,Václav K
更新时间:2024-01-10 03:04
《第七日,第八夜》该片自上映后,口碑爆棚,能否成为年度最佳剧情片?
《第七日,第八夜》该片自上映后,口碑爆棚,能成为年度最佳剧情片。《第七日,第八夜》往往可以变成在今年的电影中用户评价有名的电影,直接原因是《第七日,第八夜》整部著作自身足够好,不论是艺人扬·利比切克,瓦茨拉夫·巴布卡,约瑟夫·贝克,Karel Belohradský,Bozena Böhmová,尼娜·蒂维斯科娃,Josef Elsner,Josef R. Engel,科维塔·菲亚洛娃,Ladislav Gzela,Karel Hovorka,弗拉迪米尔·赫拉巴内克,伊日·哈莱克,Vladimir Jedenáctik,Pavel Jiras,Jan Kacer,Václav K的呈现、埃瓦尔德·朔尔姆拍摄技巧,或是电影情节和现实感,全是非常出众的,取得好口碑:3.0分其实也很正常。《第七日,第八夜》的艺人扬·利比切克,瓦茨拉夫·巴布卡,约瑟夫·贝克,Karel Belohradský,Bozena Böhmová,尼娜·蒂维斯科娃,Josef Elsner,Josef R. Engel,科维塔·菲亚洛娃,Ladislav Gzela,Karel Hovorka,弗拉迪米尔·赫拉巴内克,伊日·哈莱克,Vladimir Jedenáctik,Pavel Jiras,Jan Kacer,Václav K尽管说不是非常有名,但是扬·利比切克,瓦茨拉夫·巴布卡,约瑟夫·贝克,Karel Belohradský,Bozena Böhmová,尼娜·蒂维斯科娃,Josef Elsner,Josef R. Engel,科维塔·菲亚洛娃,Ladislav Gzela,Karel Hovorka,弗拉迪米尔·赫拉巴内克,伊日·哈莱克,Vladimir Jedenáctik,Pavel Jiras,Jan Kacer,Václav K的表演很好,可以把观众们带到到小故事中来,让粉丝有一种窒息的感觉,相比这些帅哥的表演扬·利比切克,瓦茨拉夫·巴布卡,约瑟夫·贝克,Karel Belohradský,Bozena Böhmová,尼娜·蒂维斯科娃,Josef Elsner,Josef R. Engel,科维塔·菲亚洛娃,Ladislav Gzela,Karel Hovorka,弗拉迪米尔·赫拉巴内克,伊日·哈莱克,Vladimir Jedenáctik,Pavel Jiras,Jan Kacer,Václav K的表演真是能够称之为高手,因此大家喜欢这部剧情片。
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This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script.
The director Evald Schorm (1929-1988) was one of the most original members of the Czech "New Wave". During the "normalization" era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the "Na zábradlí" Theater and Laterna Magika.
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